Original Posting: https://architectureau.com/articles/old-school-new-school-2021/
The Old School New School conference returns after a two year hiatus with a virtual program that seeks to understand how architectural agency can influence positive learning experiences.
Held over three online sessions, the conference will examine the design of learning environments in early childhood settings, schools and universities.
Architects, educators and research specialists hailing from Australia, Europe, Asia and North America will present their work and interrogate architecture’s role in the future of education.
Session one, Designing for Primary and Secondary Education, will present research and evidence-based studies that explore how design can influence learning experience for diverse individuals across a range of backgrounds, cultures and learning abilities. Speakers Rosan Bosch of Rosan Bosch Studio from Denmark and Rachel Neeson of Neeson Murcutt and Neille from Sydney will present a range of projects, while Meagan Killer from the Queensland Department of Education, along with Bentley Park College principals Bruce Houghton and Adam Catalano, will present a program of inclusive space that seeks to support students who are at risk of disengaging from school.
In session two, Designing for Early Learning, speakers will present case studies of educational projects from a variety of pedagogical approaches and examine how the built environment influences developmental outcomes in children. Presenter Sandra Duncan from the USA will examine research on how emotions influence learning in children, and her co-presenter Faith Swickard will examine how this research applies through a spatial analysis of architectural elements. Sydney landscape architect Fiona Robbé will present a range of play spaces in early childhood settings and Japanese architect Taku Hibino of Youji no Shiro will present case studies of early learning centres.
The final session, Designing for Tertiary Education, will explore the rise of the city campus and how universities are influencing the transformation of the urban fabric. Canadian architect Shirley Blumberg of KPMB will present her practice’s university projects in Canada and the USA; Hazel Porter of Woods Bagot will speak about one of Australia’s first “innovation precincts,” Melbourne Connect; and the University of Tasmania’s vice-chancellor Rufus Black will speak about the university’s campus development projects.
Each session will be followed by a live panel discussion with all the presenters moderated by industry experts.
Old School New School is a Design Speaks event, organized by Architecture Media (publisher of ArchitectureAU.com) and supported by principal partner Duluxand major partner Planned Cover. Tickets for the conference are on sale now until 24 September. The sessions can be viewed live on 24 and 31 August, and 7 September or on demand until 1 October.
Link to Original Article:
I will be presenting a workshop with Dr. Kathryn Murray–expert in brain development–called “Designing Brain-Based Environments”
The purpose of this workshop is to discuss:
- The power of built environments and how they impact young children’s lives;
- The connection between brain development and classroom design; and,
- Introduce the Brain-SET framework for classroom design.
The Free to Play Summit is A 5-day guided journey to clarify, deepen and confidently own your personal approach to Play-Activated Learning® in your classroom. Learn More and register below
Young children are losing their childhoods in today’s traditional classrooms. Children’s childhoods are being threatened by classrooms that are filled with plastic, gadgets with buttons, television and computer screens, and closed ended learning materials (educational materials which have only one solution, one correct way to use them). The magic of childhood is being threatened by traditional classroom design, which is governed by numbers: the correct number of blocks, the right number and type of books, the required number of learning or activity centers and the necessary manipulatives.
In today’s world of governed standards in early childhood, our classrooms are being mandated and governed by “stuff”. This “stuff” is supposedly equated to quality. Achieving the right score on the ECERS, FACERS, SACERS, ICERS—or whatever observation assessment tool one uses to measure quality is absolutely not the answer. Although these observational scales may be useful for understanding the basics of classroom environments, critical essentials are being overlooked and actually thwarted, resulting in institutional and cookie cutter children’s habitats and, therefore, a loss of childhood. Bottom line: The loss of habitats eventually and most assuredly results in the loss of childhood.
It’s time to stop the erosion of childhood. It’s time to create new habitats for young children where the spatial conditions of emotion such as kinship, awe, thrill, power, and intimacy are transparent, where children’s habitats are places and not merely spaces, where children can do what they do best, which is simply to be children. Let’s make a commitment to bring back every child’s right: the right of childhood.
Using the Spatial Conditions of Emotions to Design Inspiring Early Childhood Environments
Where are you . . . right now, this very moment?
Chances are, you are either in or very near to a built environment. That’s because built environments are everywhere. They have been described as “surroundings created for humans, by humans, and to be used for human activity”.1
Built environments are the structures in which you live, work and play (i.e., homes, offices, movie theaters, factories, shopping malls). Less considered and thought about built environments are vehicles and transportation systems such as highways and railways. Even if you are skiing down the groomed slopes of Colorado, bicycling in New York’s Central Park, or taking a walk on San Antonio’s River Walk, the sidewalks, pathways, or walkways are considered built environments. Unless you are living “off the grid”, there are – indeed – plenty of built environments surrounding you. Because built environments are everywhere, they have a powerful influence on our lives. One of the most important and influential built environments is the early childhood classroom.
Even the wood dock at your favorite fishing spot is a built environment
Importance of Early Childhood Built Environments
Young children spend an enormous amount of time in the early childhood classroom. The 2019 Digest of Educational Statistics reported that children under the age of five who are in child care centers spend an average of 30 hours a week in these built environments.2 With this statistic in mind, it is easy to understand why the indoor built environment of early childhood classrooms are important and how they have the time and power to either positively or negatively shape the lives of young children.
Early childhood educators spend a great deal of thought, time, and energy designing and equipping their classrooms. Teachers are intentional about the furniture and the perfect place to put it. When making intentional decisions about the layout of their environments, for example, teachers make sure that the right kind of centers or learning areas are included in the classroom. They make decisions about where to position these centers based on functionality. Positioning the art center near a source of water and locating it on a tiled surface makes for easier clean-up. Or, placing the block center in an out-of-the-way corner helps to avoid high foot traffic and reduces the possibility of children’s constructions being knocked over. In addition to the classroom’s layout, early childhood educators also carefully select appropriate learning materials to include in each learning space.
While all this talk about designing a classroom based on functionality and filling the space with developmentally appropriate learning materials may sound familiar and seem right, there is actually a critical piece missing from our thinking. We are approaching classroom design from a myopic rather than holistic perspective and end up designing environments based on function rather than on young children’s emotional development. In their book, Child Development at the Intersection of Emotion and Cognition, researchers Calkins and Bell asserts there is a significant link between intellect and emotions.3
“Emotion is the foundation of learning and must be the cornerstone of design for Early Childhood environments.” Dr. Sandra Duncan
If emotions are at the cornerstone of cognition, then it becomes important for early childhood educators to consider children’s emotional response to place (or our classrooms). This goes beyond the traditional and old-fashioned conception of designing classrooms. In addition to attending to functionality (i.e., where centers are located, what furniture we have, how the classroom furniture is positioned), we must begin thinking about what Architect Faith Swickard calls spatial conditions of emotion4. Swickard identified several emotional conditions that can be infused into the built environment. Some of these spatial conditions of emotion include (1) kinship; (2) power; (3) thrill; (4) awe; and, (5) intimacy.
1. Attributes of the Spatial Condition of KINSHIP
- Sense of Community
Kinship is a spatial condition of emotion.
The Spatial Condition of kinship in an early childhood classroom is propagated by offering spaces that are conducive for children to connect with each other and with their environment. This means that the environment provides affordances and architectural design or spaces built just for two children in order to encourage sharing, co-operating, and collaborating. Humans are social beings — and children are no exception. Given the space and place to play or work together, children naturally gravitate towards each other.
Some strategies for spaces designed exclusively for two include – bench seats; large ottoman; and a table for two.
2. Attributes of the Spatial Condition of THRILL
Thrill is a physiological condition of emotion.
The Spatial Condition of thrill is easy to come by when working with young children. Simply create a long tunnel made out of cardboard boxes. It’s as if the end destination is going to change because children will crawl again….and again….and again. Just for the thrill of it.
3. Attributes of the Spatial Condition of AWE
Awe is a physiological condition of emotion.
The Spatial Condition of awe is promoted when children are given opportunities to interact with wondrous objects such as a large unbreakable floor mirror coupled with LED lights and glittery metal balls.
Awe is an emotion that has a powerful effect on our minds and bodies. Everyone — especially children — need to feel the exhilaration and magic of the Spatial Condition of awe. Illumination, mirrors, prisms, and light and shadow experiences make a good beginning.
4. Attributes of the Spatial Condition of POWER
Power is a behavioral condition of emotion.
The Spatial Condition of power happens when teachers hand over the reins of environmental control. Give children the power to create their own environments and their own spaces in the classroom.
Children’s memories are fueled by emotions. The stronger the emotional connection, the stronger the memory. When a child has grown into adulthood, she will not remember the table or chair—what it was made from, what color it was, how it looked. What she will remember is the table she built from the classroom’s table and chair. Activating the Spatial Conditions of Power taps into the emotions area of the brain and is important for children’s long- and short-term memories. Powered-centered classrooms invite children to act upon and power to change the classroom’s architecture.
Although we pay enormous attention to the quantitative aspects of our classroom, we sometimes overlook the importance of the child’s inner space or the emotional connection. This oversight may be because inner space is hard to quantify — it’s hard to measure and difficult to count. This oversight could be a result of mandated environmental rating scales, which primarily rate through observation of visible objects (i.e., number of blocks) rather than emotions. Perhaps considering the spatial conditions of emotions in a classroom never occurred to you until now.
Consider how to infuse the Spatial Conditions of Emotions into the classroom. When you do this, you are actually designing at the intersection of child (inner) and classroom (outer). The Spatial Conditions of Emotions helps you discover what might be helpful in designing for emotions — for the qualitative side of the equation — for the spatial conditions of emotion.
Original Article: https://www.enspirement.co/potential-place
1. University of Windsor. https://www.uwindsor.ca/vabe/25/what-does-term-“built-environment”-mean
2. deBrey, C. & Snyder, T. (February, 2021). Digest of Educational Statistics 2019. Institute of Education Statistics.
3. Calkins & Bell (2010). Child Development at the Intersection of Emotions and Cognition.
4. Faith Swikard (2018). https://www.faithswickard.com/spatial-conditions-of-emotion
Designing Classrooms for COVID-19 and Beyond – Article Excerpt
COVID-19 is a lot like being on a roller coaster ride in an amusement park. You do not know what to expect on the other side, but you know it is going to be fast and somewhat scary. It is also like being on a roller coaster ride wearing Vaseline-smeared eyeglasses. Everything is slightly out of focus. We cannot clearly see where we are headed or the exact path to follow on how to get there, especially when it comes to designing early childhood classrooms. With COVID-19, one of the biggest challenges in classroom design is figuring out how to establish physical distancing, while still maintaining a sense of normalcy for young children. The biggest problem, without a doubt, is classroom size. Even before COVID-19, the majority of early childhood classrooms were relatively tight quarters. Now, with new and ever-changing requirements for spreading children out, these spaces have become even more cramped. And, there is no telling when the next stomach-dropping dip in the roller coaster ride is coming. Even though we may not get off the COVID-19 roller coaster anytime soon, there may be a way to wipe some of the Vaseline off our eyeglasses when it comes to classroom design. Indeed, this may be the time to break away from the traditional thinking about classroom layouts and consider a new design approach.
The Chocolate Bar: Traditional Classroom Design
Designing from the Outside In The traditional classroom design is very similar to the grid-like design of a chocolate bar. Figure 1 illustrates this idea through a bird’s eye view, looking at the classroom’s layout from above. On the left-hand side, notice the entry door into the classroom, with the cubbies in the lower left corner. Directly across the room from the entry door is the exit to the outside play yard. Along the top of this image are several windows looking outside, and on the bottom are two doors to the children’s restrooms with a teacher’s sink and cabinets in between.
Notice how the classroom’s grid-type layout resembles a chocolate bar’s grid. In a gridded layout, we rely on the grid’s regular geometry to create equalsized and equal-shaped spaces in the classroom.
The Orange: Radial Classroom Design from the Inside Out
An alternative to the traditional chocolate bar design is a radial or orange design, which is designing the classroom from the inside out. Looking to the citrus slice for inspiration, all the individual segments in the orange evolve from the center and radiate outward. There are several benefits to designing from the inside out. First, if you look closely at the orange slice, you see a hole in its middle with all the segments radiating outward to the rind. Imagine the hole as the center of the classroom and the rind as the classroom wall. Just like the hole in the orange slice, consider creating a place in the middle of the classroom that helps to visually and physically establish a gathering space—a place for classroom community.
Read more of this article by clicking the link below
Article Link: http://bit.ly/259-Duncan-Magee
As many of you know, I have many wonderful opportunities to design and consult on many projects around the world. Recently I was able to play a small part in the interior furniture design of the Edgerley Family Horizons Center.
Take a look at their video and see how they integrate interior design and learning programs for multiple age groups. When your done with the video, you click the link at the bottom of the article to learn more about their program.
Edgerley Family Horizon Center –